New Edinburgh band Redolent have been awful busy making music since hatching 6 months ago. Here is our current fave, but check out our youtube channel for more from these guys.
Archive | 2013
Join the Library (#2)
THE FALL – DRAGNET
This is the second in a series about how my local libraries (Baillieston and Shettleston) afforded me a wonderful musical adventure and the huge impact they made on me. I joined them as a 16 year old because I couldn’t afford albums and borrowing from them appeared to me to be the perfect solution…which it most certainly was.
In my 5th year at high school one of the novels my English teacher selected was The Fall by Albert Camus. This was the only reason I picked up a copy of Dragnet, which had been released a few months earlier. Everything about the album was challenging but also exhilarating and liberating and, like me I’m sure it lead others to form their own groups free from restrictive ideas about song structure and musicianship.
The line-up included Mark E Smith (vocals), Marc Riley (guitar), Craig Scanlon (guitar), Steve Hanley (bass), Mike Leigh (drums). Leigh was replaced by Paul Hanley shortly after and this became as I’ve come to think, the second classic line-up of the band. It is a band discovering their sound, lo-fi and angular which I found hard to listen to at first, especially the second side but it was the wild and weird garage-like pop of tracks such as Printhead with the wiity opening line “Hey badges tinkle T-shirts mingle
Hey you horror-face!” and Dice Man that won me over to the bands radical approach.
Of all The Fall albums I’ve listened to, over time this is my favourite. It’s rough and I found out later that it was recorded in 3 or 4 days, but for me it demonstrates the essence of The Fall, raucous and uncompromising determined to mine their own musical path. My excitement about the album lead me to see the band at the Tech when they came to Glasgow in tow with another great band The Cramps which is one of the best gigs I’ve ever been to.
The next time I saw the band was at The Plaza in Glasgow, this time supported by brilliant Edinburgh band The Scars. By this time I was well and truly one of The Fallen!
Fridgemaster signs to Feast
Thisisfeast is delighted to announce the signing of Callum Easter as Fridgemaster. We are working with him on three new tunes and are super excited to be working with such a talented artist. We will keep you posted and up to date with Fridgemaster and his developing career right here.
Join the Library (#1)
THE POP GROUP – FOR HOW MUCH LONGER….DO WE TOLERATE MASS MURDER?
From Wiki
“The Pop Group were a British post-punk band from Bristol, England, formed in 1978, whose dissonant sound spanned punk, free jazz, funk and dub reggae. Their lyrics were often political in nature.
Formed by Mark Stewart (lyrics, vocals), Jon Waddington (guitar), Gareth Sager (guitar), Simon Underwood (bass) and Bruce Smith (drums, percussion), they issued their debut single, “She is Beyond Good and Evil” on Radar Records in March 1979.
Their debut album Y, was produced by Dennis Bovell to critical acclaim but low sales figures. Although it did not chart, the album’s success was sufficient to convince Rough Trade to sign the band, but not before more line-up changes, with Dan Catsis replacing Underwood on bass.
The band’s career with Rough Trade commenced with what is possibly their best-known single “We Are All Prostitutes”, which featuring a guest appearance by free improviser Tristan Honsinger on cello. This was followed by the release of their second album, For How Much Longer Do We Tolerate Mass Murder? in March 1980, which included a contribution from US proto-rappers The Last Poets.
The photo on the cover is the famous photograph, “Two Gypsies” by André Kertész.”
This is the first in a series about how my local libraries (Baillieston and Shettleston) afforded me a wonderful musical adventure and the huge impact they made on me. I joined them as a 16 year old because I couldn’t afford albums and borrowing from them appeared to me to be the perfect solution…which it most certainly was.
I first came across The Pop Group’s second album in the racks of Shettleston library. I was subscribing to both NME and Sounds at the time but it was only in retrospect as I flicked through past copies that I came across photographs and interviews of the band which made me more aware of their interests and approach to music. It was more to do with the strange mixture of the band’s name combined with the album’s title and sleeve artwork…alarming, mysterious and confrontational. Then there was the track titles such as Forces Of Oppression and Feed the Hungry….I just had to hand over my library card (it didn’t cost anything to borrow music then) take it home and listen.
WOW…for someone who only a year earlier had been a huge fan of The Jam this was intense! It was an aural assault but exhilarating, challenging and just like nothing I’d ever heard before. To my youthful ears, the heady brew concocted by Bruce Smith, Gareth Sager, Mark Stewart and Dan Catsis was a revelation on all fronts musical, lyrical and artistic. To my mind there has never been a better opening track to an album than Forces Of Oppression. With its opening chants and unrelenting groove the band creates their own ‘cold sweat’.