Live Review – STRFKR at The Electric Circus, Edinburgh

STRFKR Live

 

 

 

 

 

Artist: STRFKR
Support: Miracle Strip
Rating: Despite their relatively unknown status in the UK, STRFKR performed to a near capacity venue and gave everyone in the room a reason to just let themselves go.

STRFKR are no strangers to touring but you could say that they are strangers to our side of the ocean. Embarking on their first ever full UK tour, the band started at London’s Hoxton Plaza and ended with a date at the Bodega Social Club in Nottingham. Wedged in the middle of the five British dates, the Portland four piece played in Edinburgh’s very own Electric Circus to an energetic crowd, and they showed exactly why their live shows are so well liked.

Scottish band, Miracle Strip, were the one and only support band for the night and, from the couple of songs that I managed to catch*, I just…got them. Sometimes you see support bands and you wonder why on earth they’re supporting certain acts, but these local lads fit the bill just wonderfully. They were able to warm up the crowd just right for the headliners, and I definitely expect to see more from them.

After just a short break, STRFKR took the stage and own it they did. Playing songs such as Atlantis and While I’m Alive, as well as their own cover of Girls Just Wanna Have Fun, they gave the crowd a perfect reason to just forget everything and everyone around them. Looking around, the entire room was moving from people full on dancing by themselves to others bobbing along with every single word that came out of the singer’s mouth.

This show saw singer, Josh Hodges, and drummer, Keil Corcoran, swap places for a couple of songs, and this threw in a little more magic to the mix. With the venue having a strict curfew of 10pm, the band finished their set but found it difficult to ignore the Edinburgh chants of “one more tune!” over and over again. They threw caution to the wind and ignored any shouts that they may have received, playing that ‘one more tune’ for attendees and fulfilling everyone’s wish like asked.

Their one final push, including them joining the crowd and sending everyone crazy, left everyone in the room more than satisfied and gave everybody a night that they’re sure to remember. They proved that they don’t particularly need the theatrics of their other shows and are more than able to give an amazing live show no matter the venue, the crowd size or whatever country they happen to be in. Big things are coming for them and, personally, I can’t wait to have them back on Scottish soil.

(*I was lucky enough to sit down with Josh (vocals) and Patrick (guitar) for an interview just before their set. Look out for that pretty soon!)

Posted by: Hayley Isara

(Originally posted on: (RE)DISCOVER http://sowerediscover.tumblr.com

T in the Park

Feast put their party hats on and headed up to Sunday’s T in The Park, to celebrate the 20th birthday of the Balado behemoth which baked in glorious sunshine. There was a definite fiesta to be had!

The festival has come under a lot of criticism for it’s recent line up with fans blasting the increasing commercial and X- factor pop contingent, however there were some great bands playing, and an array of fantastic new Scottish talent was showcased over the weekend.

Deap Vally had an early start, looking like a rock n roll, trailer version of Thelma & Louise, they played their take on White Stripes stripped back, blues rock riffage, with tracks such as Walk of Shame and Baby I Call Hell were greeted by loud hollers from the hungover crowd.
On the main stage Earth, Wind and Fire got the crowd dancing to ‘Boogie Wonderland’ and several disco hits, some would say a strange booking, but people ran from all directions to dance in the dusty sunshine disco.

We popped by to see The 1975, to be met with a heaving tent and from what we saw ‘Chocolate’, The 1975 look to be another band who could do well once their debut album drops.
Disclosure could easily be dismissed as remashed deep house, however the brothers delivered a strong set of their own material, which the young crowd sung back with loud exuberance. Tracks such as ‘White Noise’ in which Aluna of AlunaGeorge dropped by to was lapped up with wild abandon.

The ascendant of Chvrches over the past year has been quite remarkable, and one that looks set to continue with a dramatic and energetic performance, showcasing from their forthcoming electro synth pop debut album. The next big Scottish export for sure.

Foals are another band who look likely to soon be stepping up the headline big league, but unfortunately the crowd seemed largely uninterested with the band’s soaring angular indie, and preferred to clap politely and wait for David Guetta…

Dundee’s Fat Goth also put in a notable performance , drawing a large crowd to the T Break stage. A fast rock band with slithers of metal, delivering loud, raw riffs. The trio powered through tracks from their debut Stud. Energetic and visceral, Fat Goth should be the next Dundee band on everyone’s lips.

Stand out performance of the day was New Yoik’s juggernaut Yeah Yeah Yeah’s who stormed through their headline set at the King Tut’s tent with Karen O delivering a electrifying performance as a red Majorette minx.

Launching straight into Sacrilege and Gold Lion it was intense spiky introduction, the YYY’s stamping their arrival and leaving the indie kids in a heaving, sweaty mess. The band trail blazed through their back catalogue with Cold Light, Heads Will Roll and Miles Away all receiving a fevered welcome.

Ending with Zero and returning on stage with THAT jacket, a touching Maps and a snarling finale of Date with the Night, the YYY’s delivered a blistering set full of proper rock n roll, which the heaving crowd lapped up, and ended with Karen O shoving the mic down her pants. Exhilarating.

That was it for the day, as Feast made their way through the site, bodies and bottles strewn from the aftermath of the four-day bender, the booming voice over the tannoy announcing next year’s ticket sales, just moments after the fireworks overhead finished. Party overkill Mr. Ellis, and we left wondering if the thousands left would accept their ‘invite’ to next year’s party?

Live Review – Fatherson @ Dome Studio Theatre and the Prince Albert

IMG_1024Glad to have caught Fatherson at TGE. Saw them at the Dome Theatre in the afternoon and then the more intimate Prince Albert at night. Different size venues can affect the power and effect of a song meaning that some bands are often only suited to one type/size of venue. However, no such problems for Fatherson. The smaller venue adds more intensity to their songs whilst the larger venue allows more space to appreciate the dynamics and the emotional impact of their set. Their power and intensity remind me of the wonderful Swervedriver and lyrically I’m reminded of the writing of Iain Banks.

Live Review – Charlie Boyer & The Voyeurs @ The Courtyard

image

Two of the most authentic examples of the garage rock oeuvre appeared at this year’s Great Escape. Charlie Boyer & The Voyeurs fresh from recording their debut album with Edwyn Collins, and their Californian counterparts, White Fence whose recent collaboration with Ty Seagall (Hair) is a favourite of FEAST’S.  

Charlie Boyer and The Voyeurs are playing in The Courtyard, literally. It’s the space that belongs to music distribution company Republic of Music and is the perfect ‘garage’ setting for them. They look and sound like 60’s greats, The Young Rascals. Their set is fast, loose and raucous and pleasantly a bit more random than the album. There is an edge to them which makes their impact powerful and immediate. I like the fact they just batter the songs out one after another keeping the momentum going, never stopping for langurous and tedious tuning of guitars between every song. Great album, even better live band.

Live Review – Blue Hawaii @ The Old Ship Paganini Ballroom

IMG_1024 Love this proper old ballroom, more suited to Bach recitals but used today by Hype Machine to promote Blue Hawaii amongst others. Best show so far after Young Fathers. Blue Hawaii combine emotional lyrical content,looping vocals and deep Detroit style techno with a European dance aesthetic. Like combining Deepchord with Grimes. Really groovy.
image

Live Review – Thumpers @ Komedia Downstairs, The Great Escape

IMG_1024 Sometimes its best to just walk in on a band with no preconceived ideas about what they look or sound like. And so we happened upon Thumpers. Funny how a band can lift your spirits whilst another band can leave you despondent. We approached Komedia with dampened spirits but Thumpers picked us right back up with their tight vibrant groove mixed with catchy five-part harmonies. A brilliant drummer almost navigated each songs path, invigorating and infectious. Great. Komedia Downstairs is a great venue and the best at TGE.

Live Review-The Elwins@The Blind Tiger, Great Escape.

IMG_1024 First band to see @ The Great Escape are the vibrant and uplifting Elwins. Thursday afternoon and the band and audience are up for this Toronto band’s angular take on pop. A bit like Vampire Weekend meets Orange Juice. Great start to the festival. Will look out for them when they come back in October.

Live Review: The Dark Jokes+Big Fat Panda+ Victorian Trout Conspiracy .

Liquid Rooms LogoI arrived during the opening set with a confused look of wonder on my face. The dark stage was lit up by a few spotlights, setting an ominous atmosphere. My ears were alerted to the ambient instrumentation of the opening act delivered by the shaking bass vibes that shot up my spine. I had previously heard of the Dark Jokes but until now was unfamiliar with their sound, maybe even guilty of judging a book by its cover and pegging a band because of the connotations the name had. I was pleasantly surprised to find that they weren’t what I had bargained for but exceeded all expectations I had previously.

The instrumentation they used really separates this band’s sound from most bands in the local scene. Their sound is truly captivating; it is wide and ambient with a real energy and depth but at time’s can be darker and heavier whilst maintaining the elements that are synonymous with their ability to engage with their audience. The string section rolls off the back of the soft and beautifully delivered vocal melodies.  This opens up the sound of the band’s diversity gripping the attention of the listener and forcing them to take notice, something I felt as soon as I arrived at the gig.

D J 2

 

The band played to a fairly empty room however they were able to fill out the fallow space with their powerful sound, so much so that I was unaware of the crowd gathering throughout the set.  I still had no idea who this band were and felt hypnotised by their energy.  They had a dark stage presence which fits with the sound and really sparked my interest. So much so that I had to ask a random person next to me; “who is this band?”, I was met with a sense  of agreeable surprise.  The penny just dropped. In a way, I was regretting not listening to this band before now but also felt a stronger connection with them as I first experienced them without any pre-existing judgements or expectations, which may have influenced my decision on them.

D P 1

Next came the cheers of; “BIG FAT PANDA, BIG FAT PANDA!!” as the Ska outfit took to the stage. I have always been sceptical when it comes to traditional Ska bands as a whole really, it’s something I feel has been done for a long time, there’s lots of similar bands out there and in my opinion they all stick to a similar structure. Big Fat Panda however are at the top of their game and delivered a wild, upbeat set to a growing crowd in The Liquid Rooms, they put on a fantastic show. Although, sticking to the traditional sound of Ska I think the tightness and stage presence of the band make them stand out as THE Ska band to take notice of in the city. Comprising of a brass, keys, guitars and a larger than life lead vocal… in all manners! This band will, without a doubt, get you moving.

Having watched the second act’s full set I felt VTC would have to really up the game to follow such an energetic, tight support act. The emotions on stage were visually strong; one thing that stood out to me was the bands enjoyment whilst playing to the crowd. They looked like they were having just as much fun as the fans, charming the mob with their set.

The venue filled out for headliners The Victorian Trout Conspiracy, there was ten band members in total! It was clear who the fans had come to see this evening. I had never before experienced The Trout’s; the reputation the band has in the city was enough to excite me for their performance.

You cannot put this band into a category, what if a friend asks; “What kind of music is it?” You have two choices; find a new friend or get into a ten minute discussion on how a band with so many members and varying influences can be pinned down by one genre. There is a clear heavy Ska influence; however, this is not a straight up Ska band. The complex song structures are reminiscent of some Punk, Rock and even Surf music. They use various melodies within one track, different sections that other bands may use to write various compositions, giving me the strong impression of musical dexterity within the collective. There are elements of Reggae and Blues in places you just would not expect. One attribute to the band I can highlight is the unbelievable crowd participation they have whilst on stage. The Trout’s had the crowd energetically thriving from start to finish mouthing lyrics to favourites ‘Cider bam’ and ‘Super Duper Electric Scooter’.

VTC

After a storming set the band returned to the stage for a well-deserved encore playing a medley of ‘Tarantula’, ‘Slam’ and ‘Propane Nightmare’s by Pendulum. The place literally went off. The energy in the room was elevated back up to a higher level than before as the crowd went wild for one last dance.

As the lights came on and the crowd dispersed it was clear that all these different people from various walks of life were mutually united under one roof to experience the captivating sound of The Victorian Trout Conspiracy.

Do not go and see this band… Don’t do it! Unless you want to find yourself totally obsessed, scouring the net for the next month for material and upcoming gig dates! Once you have experienced a live show from the VTC you may find yourself at a loss next time you find yourself at a local venue. Unless they’re on the bill of course!

Mon the Trouts’

Edinburgh Undersound. X

Live Review Pere Ubu at Mono, Glasgow

Mono Glasgow

35 years ago Pere Ubu released a truly great album, The Modern Dance and were hailed as one of the leading art rock bands. 2013 sees the release of their 17th studio album, The Lady from Shanghai and the UK tour to promote the album brings the band and FEAST to Mono in Glasgow. Bandleader David Thomas is in playful mood tonight entertaining the audience with a monologue of the bands extensive touring plans which includes ’17 nights at Wembley Arena’!
Half the set tonight is taken from the latest album which Thomas has described as “dance music, fixed.” Indeed there is a four-to-the-floor feel to some of the tracks such as “Thanks” which takes off from Anita Ward’s “Ring My Bell” and “Free White”. The set kicks off in a similar manner with “Love Love Love” from arguably one of their best albums, Cloudland. The band have always subverted and played around with the concepts of rock’n’roll and this is evident tonight in the half dozen songs they play from their back catalogue including great renditions of “The Modern Dance” and “Misery Goats”.
Thomas’ unique charisma and satiric wit are intact and he is in rare form throughout, just sounding like he’s having a great old time and it’s good to witness the band again, still magical, cogent and coherent .

Live Review – Euan Weddell & Ded Rabbit

Henrys Logo

Sometimes it’s a real honour seeing a live band in a small venue that delivers a great sound and more often that not Henry’s Cellar Bar on Morrison Street is one of those venues. Most of the engineers that work there get a fantastic sound from a wide selection of bands in a venue that is not really designed for live sound. It’s no mean feat.

Arriving late, I caught about four tracks from Euan Weddell, and boy, did I love them. One vocal and electric guitar all delivered in a choppy punk feel. At times I though I was listening to Ivor Cuttler’s long lost son. Euan has a wonderful mix of funny, raw lyrics and music shown mostly clearly on his track “Awkward”. I didn’t know if I should be laughing so much at his lyrics about his inabilty to talk to girls, or if I should just give him a wee pat on the back and tell him it’s all going to be alright when he gets older. His between track banter was just as good as well. Golden.

By the time Ded Rabbit took stage, Henry’s seemed stacked to the rafters and after they struck their first chord you could see why. Most bands would bite there own hands off to have a couple of catchy tunes like these guys. If you add their great stage presence, then you know you are watching a band that could go very far. It’s no wonder that they are playing Sound City @ Liverpool.  There were just so many stand-out tunes  that got the crowd jumping.  “Down and Out” sounds great live – I am looking forward to it being released as their single. Sometimes, everything works together and you could see why the band invited the audience on stage for their last track; everyone was involved in making this a great gig. At the risk of repeating myself – check them out!